FOR OVER HALF a century, passionate pilgrims have been drawn to a four-story Belle Epoque building in Paris’s elegant sixth arrondissement. Some still come to see the final home of Albert Camus, the Algerian-born absurdist who won the Nobel Prize for literature in 1957. But today, the most fervent among them come to pay homage to Etel Adnan, an artist and writer whose vitality and curiosity belie her 90 years. Like some Delphic cardigan-wearing yogi, Adnan sits in a poufy red chair with her feet barely grazing the floor below and gives her full attention to her interlocutors. Of mixed Greek and Syrian heritage, she speaks at least five languages, in a stream of ambiguous Mediterranean cadences. Conversation tends to hover around her holy trinity of love, war and poetry-the primary subjects of her nearly dozen books. The arc of Adnan's own life, punctuated by the fall of an empire, affairs of the heart and mind, tectonic political shifts, exiles and returns, is the stuff of Russian novels.

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On the first day of Saudi Arabia’s intervention into Yemen’s civil war in March of last year, warplanes bombed a residential compound on the outskirts of the capital Sanaa, killing dozens of people inside.

A Yemeni human rights organization said a coalition led by Saudi Arabia killed 27 civilians, including 15 children, in the strikes on the Bani Hawat neighborhood on March 26, 2015.

Yemeni artist Murad Subay headed to the compound with a group of friends a few weeks later, and together with local kids painted 27 flowers on its walls, 15 of them with just one leaf to symbolize the children whose lives were lost.

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