Rana Sweis

Journalism World

What Bullets Do To Bodies

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The first thing Dr. Amy Goldberg told me is that this article would be pointless. She said this on a phone call last summer, well before the election, before a tangible sensation that facts were futile became a broader American phenomenon. I was interested in Goldberg because she has spent 30 years as a trauma surgeon, almost all of that at the same hospital, Temple University Hospital in North Philadelphia, which treats more gunshot victims than any other in the state and is located in what was, according to one analysis, the deadliest of the 10 largest cities in the country until last year, with a homicide rate of 17.8 murders per 100,000 residents in 2015. Over my years of reporting here, I had heard stories about Temple’s trauma team. A city prosecutor who handled shooting investigations once told me that the surgeons were able to piece people back together after the most horrific acts of violence. People went into the hospital damaged beyond belief and came walking out.

That stuck with me. I wondered what surgeons know about gun violence that the rest of us don’t. We are inundated with news about shootings. Fourteen dead in San Bernardino, six in Michigan, 11 over one weekend in Chicago. We get names, places, anguished Facebook posts, wonky articles full of statistics on crime rates and risk, Twitter arguments about the Second Amendment—everything except the blood, the pictures of bodies torn by bullets. That part is concealed, sanitized. More than 30,000 people die of gunshot wounds each year in America, around 75,000 more are injured, and we have no visceral sense of what physically happens inside a person when he’s shot. Goldberg does.

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Rana Sweis Articles

Journalism World

The Final, Terrible Voyage of the Nautilus

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On August 10, a Thursday, Wall and Stobbe were preparing to throw a goodbye party. In the late afternoon, just as they were setting up for a barbecue on the quay along the water in Refshaleøen, Wall got the text she had been waiting for: Madsen was inviting her for tea at his workshop. Madsen’s hangar was not far, so she set off. About half an hour later, she returned to let Stobbe know that Madsen had offered to take her out on his submarine. She decided to forgo her own goodbye party for the interview. She asked Stobbe if he wanted to come. Stobbe was “insanely close to saying yes,” he told me, had it not been for the group he had assembled. Because she was going out to sea, Stobbe gave Wall a bigger kiss than he would have had she gone out for, say, ice or lemons. Wall promised to be back in a few hours.

Just before boarding the submarine around 7 pm, Wall texted Stobbe a photo of the Nautilus. A little later, she sent a photo of windmills in the water, and then another of herself at the steering wheel. A while later, Stobbe was tending to a quayside fire when a friend told him to look up. He saw the setting sun and Wall aboard the submarine in the distance, waving toward him.

By most public accounts, Madsen was a charismatic rebel. He had a weathered face with the prominent features of a toy troll. His habitual uniform was coveralls and hiking boots. Fox, the filmmaker, calls him a “modern-day Clumsy Hans,” for the seemingly dimwitted suitor in the Hans Christian Andersen fairy-tale who wins the princess’s favor over his more intelligent brothers. Wall was in the early stages of her reporting, and she would not have known much more about Madsen than what had already been published. It was only later, after everything that happened, that the details of his private life would become important.

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