Adding filters may seem like a trivial addition to a social network that processes a billion 140-character missives every two days, but it could be an important part of the company’s business. Read more
"1. His Girl Friday (1940)
Cary Grant and Rosalind Russell butt heads in this story of an ex-husband and editor trying to win back his star reporter and ex-wife, whom he still loves. But it’s about more than that. It’s about the dehumanization of their subjects. There’s one bleak exchange about changing the time of a hanging to make the evening edition. It’s cutthroat. Russell’s character laments that she doesn’t want to be a reporter, she just wants to be a woman. It’s a bit dated, but the ethical dilemmas are devastating. And in the end, Hildy is more journalist than lady.
2. All The President’s Men (1976)
There’s three types of freshman journalism majors: ones who want to be Carrie Bradshaw, ones who want to write for Rolling Stone, and ones who want to be Woodward and Bernstein. I was the last one. All The President’s Men follows the Watergate scandal and features Robert Redford and Dustin Hoffman as sexier versions of Woodward and Bernstein. Nice."
"Tina Brown, the founder of the Daily Beast and editor of Newsweek, announced this week that the print magazine was headed to the morgue file, dead after nearly 80 years. A digital offering called Newsweek Global will take its place. Those of us who worked at Newsweek through the turn of the century wish the new venture well, but we can't escape the feeling that there's been a death in the family.
Until the Washington Post Co. sold the magazine in 2010, I qualified as a "lifer," a concept that no longer exists in the American workplace. Over nearly three decades at Newsweek in the pre-tweet era, I was the magazine's media critic and later a columnist. I interviewed and wrote about five American presidents and authored more than 50 stories, almost all of them on domestic affairs."