Here, lying in a stained carton, are notes on a refugee camp in Tanzania, where surviving Tutsis and their Hutu enemies lived side by side in blue tarp tents. It is 1994. The notes record that there are people everywhere, milling and moving in short parades on the main path in the camp, hastily constructed by the United Nations High Commissioner for Refugees. Women wear colorful cloths, khangas, and carry yellow plastic containers of water on their heads. Children and old men push up against one another, as if at a bargain sale. They hold portable radios to their ears. A man in a brown rain hat drags a reluctant goat by a rope. White smoke mixes with the smells of fresh earth and excrement. At an outdoor butcher shop, a cow’s bloodied horn lies beside the animal’s astonished head. I greet a group of young Hutus in French. “Did you participate in the killings?,” I ask. “We did nothing,” one says. “Did you see others do the killing?” He says, “We saw nothing.” I ask, “How many Tutsis are left in Rwanda, do you think?” A teenage boy wearing a green baseball cap grins, and slowly draws the side of his index finger across his throat.

Here are several photos of and notes on Divis Flats, a Catholic neighborhood, or stronghold, in Belfast. It is 1981. Coiled barbed wire runs atop a long gray wall on which is written smash h-block, a reference to the British prison in which members of the Irish Republican Army are held. Windows are pockmarked with bullet holes and display black flags of mourning for hunger strikers. Rats skitter in huge sewage pits, soggy with rain. Glass chips cover streets that are interrupted by “dragon’s teeth,” huge blocks of stone set out by the British army in uneven rows to prevent fast getaways. The presence of a stranger in the area is scrutinized, my every step tracked by a huddle of teenage boys with grim, bold faces, loitering beside a fire-blackened car. It is essential not to look British. The week before my arrival, a CBS reporter was stabbed at this same spot because he made the mistake of wearing a Burberry coat.

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Your opponents would love you to believe that it’s hopeless, that you have no power, that there’s no reason to act, that you can’t win. Hope is a gift you don’t have to surrender, a power you don’t have to throw away. And though hope can be an act of defiance, defiance isn’t enough reason to hope. But there are good reasons.

In 2003 and early 2004, I wrote a book to make the case for hope. Hope in the Dark was, in many ways, of its moment – it was written against the tremendous despair at the height of the Bush administration’s powers and the outset of the war in Iraq. That moment passed long ago, but despair, defeatism, cynicism and the amnesia and assumptions from which they often arise have not dispersed, even as the most wildly, unimaginably magnificent things came to pass. There is a lot of evidence for the defence.

Coming back to the text more than a dozen tumultuous years later, I believe its premises hold up. Progressive, populist and grassroots constituencies have had many victories. Popular power has continued to be a profound force for change. And the changes we have undergone, both wonderful and terrible, are astonishing.

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