On Beirut, the Unsung Capital of Arabic Modernism
Arabic Modernism was a literary movement of exiles and émigrés who planted their flag in West Beirut during the mid-’50s, when the Lebanese capital became a meeting ground for intellectuals from across the region. West Beirut, a neighborhood known as Hamra, was “the closest the Arab world could ever get to having its own Greenwich Village.” For a brief twenty-year period, until the outbreak of civil war in 1975, Hamra was a contact zone for artists and militants from the far Left to the far Right, nationalists and internationalists, experimentalists and traditionalists. In this highly politicized bohème, journals of ideas flourished, and each coterie had its own café. Local banks were flush with deposits from the newly oil-rich states of the Gulf, helping to finance a construction boom that quadrupled the built area of the city in the decade following World War II. This intellectual and economic ferment turned Beirut into a magnet for disaffected thinkers from within Lebanon as well as from neighboring countries. It was a place with all the characteristics of what Roger Shattuck, in his study of the early Parisian avant-garde, has called “cosmopolitan provincialism”: an eclectic community of outsiders living on the margins and snitching tips on taste, style, and ideas from elsewhere.
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