Letter from Damascus (2006): Captured on Film
An important feature in the New Yorker written in 2006. Lawerence Wright goes off into the secret world of filmmaking in Syria to discover more about the society that at the time had limited press freedoms. It is fascinating to read it and assess that with events taking place there now.
"Although many foreign critics have portrayed Mohammed and other Syrian directors as symbols of artistic victimization, he defiantly rejects that role. “Do you want me to play the hero?” he asked. “Do you want me to repeat two hundred times each day that my films are forbidden? This is my society. I belong to this world. I am not a victim.”
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