"She was luminous – on that much everyone seems to agree. Hers is not the flawless matt beauty of Dietrich or Garbo. She is, as one might say, more curvy – I am of course referring to her face, on which, unlike Dietrich, Garbo or indeed Elizabeth Taylor (whom she saw as a rival), there isn’t a single straight line. There is no flattening wash over this face. Even Laurence Olivier, who mostly couldn’t stand her, had to concede that every time she appears in The Prince and the Showgirl, she lights up the scene (the cinematographer Jack Cardiff said that she glowed). That is just one of the things about her that makes her inimitable – which is why the recent My Week with Marilyn could not but fail somewhere as a film. But the question of what – in the aura that surrounds her – she was lighting up or revealing, other than herself, is rarely asked."

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"Action is hope. At the end of each day, when you’ve done your work, you lie there and think, Well, I’ll be damned, I did this today. It doesn’t matter how good it is, or how bad—you did it. At the end of the week you’ll have a certain amount of accumulation. At the end of a year, you look back and say, I’ll be damned, it’s been a good year.”

—Ray Bradbury, The Art of Fiction No. 203

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