INSIDE ART: The War Photographer, Way Back in 1666
For decades now we have relied on news photography to capture the horrors of war. But some 350 years ago there were artists risking their lives, sketching away as soldiers and sailors fell and guns blazed.
An unusual canvas by Willem van de Velde the Elder and Younger, depicting a 1666 British naval defeat, is being offered at Sotheby’s.
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"Journalists have an almost superhuman ability to hold forth on the ethics of our own profession. And yet, despite endless talk about “self-plagiarism” or some such, we have been wilfully blind to the more grievous ethical breaches carried out by revered reporters who cover the so-called “superhero beat”. Perhaps we are unwilling to admit that those who write about truth and justice are the least likely to champion transparency and proper attribution. Here are some examples of the most severe offenders":
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"Much of McAvoy’s diatribe is bona-fide baloney—false nostalgia for an America that never existed—but it is exciting to watch. And if you enjoyed “The West Wing,” Sorkin’s helpful counterprogramming to the Bush Administration, your ears will prick up. The pilot of “The Newsroom” is full of yelling and self-righteousness, but it’s got energy, just like “The West Wing,” Sorkin’s “Sports Night,” and his hit movie “The Social Network.” The second episode is more obviously stuffed with piety and syrup, although there’s one amusing segment, when McAvoy mocks some right-wing idiots. After that, “The Newsroom” gets so bad so quickly that I found my jaw dropping. The third episode is lousy (and devolves into lectures that are chopped into montages). The fourth episode is the worst. There are six to go."
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