George Clooney is nominated for two Oscars this year — for his lead role in The Descendants and for co-writing the adapted screenplay for The Ides Of March, which he also directed. He speaks to Robert Siegel on today's All Things Considered about film, but also about the life he lives as one of Hollywood's most famous men... Read more
A year after Mubarak, where does Egypt stand?
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A year ago today, tens of thousands of Egyptians gathered in Cairo's Tahrir Square and celebrated a previously unimaginable achievement: the toppling of Hosni Mubarak... Read more
Prose Lays Nightmare of ‘Forever War’
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To classify The Forever War as a work of literature instead of, say, as a piece of "war correspondence," is not to denigrate its journalistic integrity. Dexter Filkins' reporting is as rigorous in this book's informal vignettes and essays as it was when he delivered the daily news from Afghanistan and Iraq for The New York Times.
The Forever War, though, deserves to be considered alongside long-praised and similarly structured modern literary classics such as Tim O'Brien's The Things They Carried and Sandra Cisneros' The House on Mango Street — books that achieved their raw force and nightmarish beauty by mixing elements of fiction and creative nonfiction. That The Forever War is, front to back, a true story, is a testament to Filkins' literary talent and extraordinary accomplishment.
Don't look here for an explanation of "How the war was lost" or even of "How the war reporter's innocence was lost." Filkins, as he notes in his epilogue, writes from the impossibly limiting perspective of one who's Been There. For those who haven't Been There, then, The Forever War's narrator can sometimes come across as inhumanly cold and unlikable. That's because Filkins is incapable of placing himself into a fake, pre-war personality in order to persuade his readers that he's not the Iceman but is, in fact, as outraged with things as they are.